Established films and documentaries with curated post-screening discussion. Specific dates and ticketing confirmed closer to launch — join the list for first access.
Four films across twelve weeks. The Three Colours trilogy — Kieślowski's meditation on liberty, equality, and fraternity — anchored by The Double Life of Véronique. Each evening followed by curated discussion.
Kieślowski (dir.) · with Juliette Binoche. The opener of the trilogy — liberty as a story of grief, music, and the freedom to feel nothing.
Date TBC · Aug 2026Kieślowski (dir.) · with Zbigniew Zamachowski. Equality reframed as a black comedy of post-Wall reinvention.
Date TBC · Sept 2026Kieślowski (dir.) · with Irène Jacob. Fraternity told through chance, surveillance, and quiet connection.
Date TBC · Oct 2026Kieślowski (dir.) · with Irène Jacob. The bridge between the Decalogue and the Three Colours — luminous, melancholy, in conversation with itself.
Date TBC · Oct 2026Sunday-afternoon documentary followed by thirty minutes of facilitated discussion. Discussion lead rotates — local journalists, academics, and subject-matter guests where the film invites it.
Mstyslav Chernov (dir.). Oscar-winning frontline documentary from the first weeks of the siege.
Sunday · Sept 2026Steve James (dir.). Five years following two Chicago teenagers chasing the NBA — the canonical American documentary.
Sunday · Oct 2026Josh Greenbaum (dir.). Will Ferrell and Harper Steele drive across America — friendship as the long-form documentary subject.
Sunday · Nov 2026Cannes and Oscar International Feature contenders that didn't reach Bath. Aimed at the international and student demographic. Programming partnership target: Bath Spa University Modern Languages.
Ryūsuke Hamaguchi (dir.). Japan. Oscar Best International Feature. Three hours that earn every minute.
Friday · Sept 2026Justine Triet (dir.). France. Cannes Palme d'Or. A courtroom drama that's really about language, marriage, and being heard.
Friday · Oct 2026Manuela Martelli (dir.). Chile. Quiet, slow-burn portrait of an upper-class woman under Pinochet.
Friday · Nov 2026Programmed around the Bath Festival and the Jane Austen Festival. Local-pride angle; resident–visitor overlap.
Roger Michell (dir.) · with Amanda Root and Ciarán Hinds. The understated Austen adaptation, much of it filmed in central Bath.
Jane Austen Festival tie-inSaul Dibb (dir.) · with Keira Knightley. Georgiana Cavendish, Duchess of Devonshire — filmed across the Royal Crescent and Holburne Museum.
Bath Festival tie-inMira Nair (dir.) · with Reese Witherspoon. Thackeray's social satire — Pump Room and Royal Crescent locations.
Seasonal specialFilmed at the Royal Crescent. A one-evening "Bridgerton in Bath" event programmed for the broader local-and-visitor audience.
Seasonal specialSpecific dates, times, and per-screening tickets will be announced through the Picture House list. Friend memberships (£60/year) open at the same time — Friends get priority booking one week ahead of public release.
Join the List for First Access